Wednesday, 9 December 2015

Weekly Film 9 (Top Secret) to be continued


Top secret! is a 1984 comedy film written and directed by Jim Abrahams, whose previous picture had been Airplane!.  This film is a parody of both the musicals starring Elvis Presley and spy films of the cold war era. The film had a budget of £5.9 million and made £13.5 million in the box office. It's cast includes Val Kilmer, Lucy Gutteridge, Peter Cushing and Omar Sharif. 

Val Kilmer stars as Nick Rivers, a handsome American 50s-style rock and roll singer. While performing in East Germany, he falls in love with a beautiful heroine and becomes involved with the French Resistance. 

Weekly Film 8 (The Hunger Games Mockingjay: Part 2)


The Hunger Games Mockingjay Part 2 is a 2015 Adventure, Sci-Fi film directed by Francis Lawrence and written by Peter Craig. The budget of this film was £106.2 million and made £347.9 million in the box office. This film was part of the third instalment of the Hunger Games trilogy but the producers split the last book into two films. This enables the producer to generate more money because they have more films and the large audience will raise their gross. 

After young Katniss Everdeen agrees to be the symbol of rebellion, the Mockingjay, she tries to return Peeta to his normal state, tries to get to the Capitol, and tries to deal with the battles coming her way...but all for her main goal; assassinating President Snow and returning peace to the Districts of Panem. As her squad starts to get smaller and smaller, will she make it to the Capitol? Will she get revenge on Snow? Or will her target change? Will she be with her "Star-Crossed Lover", Peeta? Or her long time friend, Gale? Deaths, Bombs, Bows and Arrows, A Love Triangle, Hope. What will happen?

The film contains themes of survival, protection, poverty, power and conflict. These themes are the same as the last two films because they are all based around the same story, although all the films show different story lines and how their lives progress the themes are all predominantly the same. 

Weekly Film 7 (The Hobbit: The Battle Of Five Armies)


The Hobbit: The battle of five armies is a 2014 adventure, fantasy film directed by Peter Jackson and written by Fran Walsh. This was also based off of J.R.R Tolkien's book. It had a budget of £166 million and made £643.9 million in the box office. This film is the third and final film of the Hobbit trilogy. Being the final instalment of the series and being based from the books, the film already had a wide audience and so was able to make more money. 

After the Dragon leaves the Lonely Mountain, the people of Lake-town see a threat coming. Orcs, dwarves, elves and people prepare for war. Bilbo sees Thorin going mad and tries to help. Meanwhile, Gandalf is rescued from the Necromancer's prison and his rescuers realize who the Necromancer is.

The battle was the main awaited scene of the movie and was very exhilarating but i felt it took it's time to build up and some of the talking and deciding was long winded.





Weekly Film 6 (The Hobbit: The Desolation Of Smaug)


The Hobbit: The Desolation of Smaug is a 2013 high fantasy adventure film directed by Peter Jackson. It was produced by WingNut Films in collaboration with New Line Cinema and Metro-Goldwyn-Mayer. It was distributed by Warner Bros. Pictures and is the second installment in the three-part film series based on the novel The Hobbit by J. R. R. Tolkien.  The budget of the film was £149.6m with it's total gross being £171.7m. 

After successfully crossing over (and under) the Misty Mountains, Thorin and Company must seek aid from a powerful stranger before taking on the dangers of Mirkwood Forest--without their Wizard. If they reach the human settlement of Lake-town it will be time for the hobbit Bilbo Baggins to fulfill his contract with the dwarves. The party must complete the journey to Lonely Mountain and burglar Baggins must seek out the Secret Door that will give them access to the hoard of the dragon Smaug.

This film contains themes of deceit, unrequited love, combat and greed. All these themes are shown throughout the film and are enhanced depending on the situation 

Monday, 30 November 2015

Mediterranea and Rust and Bone Comparison


Mediterranea by Jonas Capignano. Poster.  Semaine de la Critique.: Movie Posters, Jonas Capignano, Of The, Week




















Mediterranea is a 2015 Drama film written and directed by Jonas Carpignano. It follows two men and their dangerous journey travelling from Africa to Italy for a better life. It focuses on the hostility they go through as refugees travelling from country to country and the life and death situations they are faced with.  

Rust and Bone is a 2012 French Drama and Romance film written and directed by Jacques Audiard. Alain leaves Belgium for Antibes to live with his sister and her husband after he is put in charge of his young, helpless son. Alain soon bond’s with killer whale trainer Stephanie, but their bond strengthens after Stephanie suffers from a tragic accident.

In both the films the protagonists share a similar goal. To make their families happy. In Mediterranea Ayiva wants to please his daughter and give her the things she needs and wants. All he strives to do by travelling to Italy is to earn. Alain has the same goal. Although this goal is not obvious during the start of the film by the end this goal is obvious and Alain shows his true feelings towards his son, which is that he ends up healthy and happy.


One theme that is shown in both is escapism. In Mediterranea the film focuses predominantly on escapism as the protagonists Ayiva and Abas are ‘escaping’ Africa in search of a better life for their families. By working in Europe they not only want to escape the harsh reality of poor living in Africa but they also want their families to escape the struggles of living in Africa by sending gifts and money back from Europe in order to give their families the lives they deserve. In Rust and Bone both protagonists are also attempting to escape something in their lives. Alain tries to escape his feelings by competing in bare knuckle fights but he also tries to escape his son. Alain isn’t portrayed as the most caring father and is constantly trying to find excuses to get away from his son, but we eventually see his fatherly nature shine through when he must save his son. The other protagonist Stephanie on the other hand is trying to escape something very different. After a traumatic event, Stephanie loses her legs from below the knees. She tries to escape the feeling of worthlessness. Stephanie wants to continue her life as normal but at times is shown to start to give up.  She also escapes judgement of seeing someone disabled, she does this by being brave and doing things such as being carried into the sea to swim.

Our themes for A2 film are power, poverty and conflict all of which are used in the films which makes them both useful and potential case studies. Mediterranea has a strong theme of power. The power is shown through race. The black people who have come to Italy are the minority and the white people are the majority. In one dramatic and traumatising scene Abas gets beaten up, nearly killed by a group of white men. They have ultimate power in this scene, to be able to determine whether someone lives and dies is an example of too much power being given to someone.


Poverty is also used in this film and is evident from the very start, to have to move countries in order to give something to your family is an obvious sign of high poverty. This is still going on in the world today, people move countries in search of a better life due to the poverty and desperation that is evolving. Poverty is also used in Rust and Bone, which we can see from just looking at their living arrangement. Alain and his son now live in a small house with Alain’s sister and her husband and outside in their back garden is where they keep their animals is tiny penned cages in horrible conditions. Also Alain takes part in bare knuckle fighting to make money which can be devastating for his health.


Overall both films were evident of our main themes and included other themes also. I enjoyed them both as they both told very different stories but followed their struggles to show how life is very difficult for people. They also represent different mediums. For example Rust and Bone represents disability and Mediterranea represents race. 

Thursday, 19 November 2015

Presentation



Some parts of the writing have been cut off or covered up as slideshare has condensed the presentation. Also the music and the videos are not playing on slideshare so I will be presenting this on the original Powerpoint presentation.

Presentation Script

Audio: On Screen – Slide 1: Theme music from Dracula 1931 (Item 1) - 27 seconds

Speaker: Good morning everyone, today I’ll be discussing:

On Screen - Slide 1: Has the vampire sub-genre evolved genres from Horror to Romance?

On Screen - Slide 2: This presentation will focus on:
·         How vampires have been romanticised
·         The evolution of the vampire genre
·         Comparing the image of the vampire

On Screen – Slide 3 – Item 12 *Bullet points with descriptions of vampires in 1734 and present day*

Speaker: In the past two-hundred years, vampires have transformed from your worst nightmare into the charming hero of our dreams. “Flashback to 1734, Oxford English Dictionary’s first record of the word vampire: they were generally and, depending on geographical location, inconsistently thought to be red-faced, fat on blood, furry of foot, and may or may not have possessed more than one nostril.” Moving forward to the present day: they’re cold, pale skin, perfectly defined faces and delicate fangs. (Item 12)

Speaker: There has been a range of Vampire films for years many following the classic Vampire impression and others creating a sense of a whole new genre. One of the first and most well-known vampire films was the original Dracula directed by Tod Browning. (Item 1)

On Screen - Slide 4 - Item 8 *Dracula (1931) poster appears*

Speaker: Dracula is a 1931 film based off Bram Stoker’s 1897 novel. Stoker's ideas of vampires generated a future for vampire movies – female vampires who are portrayed as predators sucking the blood of their male victims, a charismatic and sinister Count whose only interest is the blood of his victims, and Van Helsing the vampire hunter with Wolfs bane and a crucifix to ward off the "Prince of Darkness" and with a wooden stake to drive through Dracula's heart. (Item 15)

On Screen – Slide 5 *Play Dracula (1931) trailer* (1 Minute 48 Seconds)

Speaker: This film was classed as part of the Horror genre. The characters were afraid to be out after sundown especially on ‘the night of evil’. Although the film was predominantly horror it did incorporate some Romantic elements. However the type of Romance was different, Dracula hypnotizes his victims in order to seduce them so he can feed from their blood. (Item 1)

On Screen - Slide 6 *Picture of the 1931 Dracula on screen*

On Screen – Slide 6 *Quote from 1931 Dracula script*

Speaker: Dracula was also portrayed very differently with his pale face, long black cloak, protruding thangs and a desire to feast on human blood. (Item 5) A Quote from Dracula 1931 script “They take the form of Wolves and bats. They leave their coffins at night and they feed off the blood of the living.” As the vampire films progressed the classic vampire started to change in looks and in their desires.

On Screen - Slide 7 – Item 9 *The Lost Boys Poster*

On Screen – Slide 8 - *Quote from The Lost Boys script and picture from a scene*

Speaker: The Lost Boys is a 1987 film directed by Joel Schumacher. (Item 2) This film is still incorporated very much in the Horror genre but certainly features more Romance than Dracula. The portrayal of vampires defiantly looks more so part of the horror genre. In The Lost Boys script the vampires were described as “Cool kids in distinctive dress. Compelling; not threatening.” before they change. The vampires after they change look a lot more threatening with sharp fangs and glowing yellow eyes and the attacks on humans being a lot more frequent.

On Screen – Slide 9 *Quote from The Lost Boys*

On Screen – Slide 9 *Play The Lost Boys trailer* (1 Minute 22 Seconds)

Speaker: The dusty cloaks and coffins were replaced with studded leather jackets, gelled hair and motorcycles. They live in a communal crypt, but that crypt is decorated with a massive portrait of Jim Morrison. These boys may be vampires, but they're also rock stars who live by the mantra: "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." (Item 14)

On Screen – Slide 10 – Item 6 *Quote from The Lost Boys actor*

Speaker: Edward Herrmann who plays the town’s video store owner and head vampire, Max in the Lost Boys said “Joel (Schumacher) was very hip. He portrayed the Lost Boys as a combination of James Dean and Jack the Ripper. There’s both a romantic and a rebellious side to them.” (Item 6) Although Romance is not a specific genre used in this film the elements are again used with a part of the main narrative being spurred by a romantic goal.

On Screen – Slide 11 - *Picture of Twilight scene*

Speaker: Twilight (2008) directed by Catherine Hardwicke was originally a book written by Stephanie Meyer. (Item 3) Twilight could be considered a turning point for vampire films with the Horror genre being practically invisible throughout the duration of the film. Where the other two films focus on the characters being scary and threatening Twilight focuses on the characters being Mysterious but romantic. The family of vampires in the film are a ‘new breed’ of vampires. They are seen as the ‘good vampires’. They overcome their thirst for human flesh by instead feasting on animal blood.

On Screen – Slide 12 – Item 7 *Play Forest Scene from Twilight* (57 Seconds)

On Screen – Slide 13 - *Quote from Twilight script*

Speaker: In the script of Twilight the vampires are described in a way that romanticizes them. The main family the Cullen’s are described as “Two guys, two girls, all chalky pale, purplish shadows under their eyes… and all devastatingly beautiful.”

On Screen – Slide 14 - *Quote from Twilight Script*

Speaker: Edward is then described as he walks into the scene “Edward, 17, lanky, with untidy bronze coloured hair. He seems inwardly turned, mysterious. More boyish then the others. But the most striking of all.” These quotes both describe the vampires to be beautiful with an innocent persona.

Speaker: “Horror films have never been particularly complicated. Their aim is simple: to provoke a physical response from the audience. To make them scream, shriek, shudder, wince, or even cry with terror. There's a visceral quality at the centre of horror, an instinctive emotional response that remains an ode to our dark hearts.” (Item 10)

On Screen – Slide 15 – Item 11 *Stephen King quote on slide*

Speaker: Stephen King is a well-known author of many genres, Horror and supernatural fiction being just two of them. When talking to The Guardian Stephen King says:

Speaker: "Here's what vampires shouldn't be: pallid detectives who drink Bloody Marys and work only at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes, what should they be? Killers, honey. Stone killers who never get enough of that tasty Type-A. Bad boys and girls. Hunters… Those vamps got hijacked by a lot of soft-focus romance." (Item 11)

Speaker: And unlike many other vampire films, the "victim" in Twilight; human teen Bella is not scared of Edward’s icy touch and his family of beautiful vampires. In fact, she wants to be a vampire. “The chase is reversed: the human pursues the vampire, and the vampire resists.” (Item 5)

On Screen – Slide 16 - *Conclusion*

Speaker: Although the protagonists in Twilight are vampires it is not a horror story. Instead of focusing on their negative characteristics they concentrate on their love story and the protection of the mortals and so are not represented as classic horror monsters. (Item 13) However The Lost Boys depicts both the horror and romance genre. It updates the image of the vampire to appeal to a modern day audience whilst still incorporating Horror elements.

Speaker: Though Stoker’s Dracula will be remembered as the immortal that started the vampire craze, the image has drastically changed based on what society demands. The image has become a kinder, gentler creature because people in general are fascinated with the idea of dazzling beauty, eternal youth and immortality. This image, however appealing, will eventually change again because society’s wants will always change. (Item 4)